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Marey, Etienne-Jules.
Londres: Henry S. King and Co,
1874.
Seconde édition
Exemplaire numérisé : BIU Santé (Paris)
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Image : Fig. 1. Showing the transformation of the electricity of a battery into mechanical action, into light, and chemical action
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Image : Fig. 2. The myograph
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Image : Fig. 3. Marey's Myograph
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Image : Fig. 4. Character of the shock according to the degree of fatigue of the muscle
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Image : Fig. 5. Successive transformations of the shock of a muscle becoming gradually poisoned by veratrine
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Image : Fig. 6. Appearance presented by a wave in muscular fibre
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Image : Fig. 7. Disposition of a bundle of muscle between two pairs of myographical clips
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Image : Fig. 8. Two determinations of the speed of the muscular wave
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Image : Fig. 9. Transformation of heat into work by a strip of India-rubber
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Image : Fig. 10. Determination of the speed of the nervous agent in man
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Image : Fig. 11. Gradual coalescence of the shocks produced by electric excitations of increasing frequency
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Image : Fig. 12. Measure of the time which elapses between the excitation of the electric nerve, and the discharge of the torpedo
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Image : Fig. 13. Skeleton of a flamingo
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Image : Fig. 14. Skeleton of a penguin
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Image : Fig. 15. Skeleton of the wing and sternum of the sea-swallow
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Image : Fig. 16. Muscles of the thigh in man
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Image : Fig. 17. Muscle of the thigh in the magot
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Image : Fig. 19. Experimental shoe, intended to show the pressure of the foot on the ground, with its duration and its phases
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Image : Fig. 20. Tracings of the impact and the rise of the two feet iin our ordinary walk
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Image : Fig. 21. Transmission of an oscillatory movement to the registering apparatus
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Image : Fig. 22. The upper curves, one in full line, the other dotted, represent the phases of the impact and of the rise of the right and left foot
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Image : Fig. 23. Attempt to illustrate, by means of a metallic wire, the sinuous trajectory passed through by the pubis
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Image : Fig. 24. Showing two successive positions of the arm of the instrument, and the corresponding positions of the tracing points of the levers
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Image : Fig. 25. Tracing of the impact and rise of the right foot, furnished by a lever subjected at the same time to 10 vibrations per second
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Image : Fig. 26. A large tuning-fork whose vibrations are reduced by masses of lead to 10 per second
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Image : Fig. 27. Runner provided with the apparatus intended to register his different paces
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Image : Fig. 28. Instrument to register the vertical re-actions during the various paces
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Image : Fig. 29. Tracing produced by walking upstairs / Fig. 30. Tracing produced by running
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Image : Fig. 31. Man galloping with the right foot first / Fig. 32. Leap on two feet at once
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Image : Fig. 34. The curve which corresponds with the act of running in man
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Image : Fig. 35. Synoptical notation of the four kinds of progression used by man
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Image : Fig. 36. Notations of the gallop / Fig. 37. Notation of a series of jumps on two feet
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Image : Fig. 38. Notation of a horse's amble
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Image : Fig. 39. Notation of the horse's walking pace
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Image : Fig. 40. Notation of a horse's trot
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Image : Fig. 41. Synoptical notations of the paces of the horse, according to various writers
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Image : Fig. 42. Experimental apparatus to show the pressure of the horse's hoof on the ground
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Image : Fig. 43. Apparatus to give the signals of the pressure and rise of the horse's hoof
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Image : Fig. 44. This figure represents a trotting horse, furnished with the different experimental instruments
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Image : Fig. 45. Graphie ouvres and notation of the horse's trot
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Image : Fig. 46. Notation of the irregular trot
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Image : Fig. 47. Piste of the trot according to Vincent and Goiffon / Fig. 48. Horse trotting with a low kind of pace
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Image : Fig. 49. Horse at full trot
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Image : Fig. 50. Tracings and notation of the walking pace, with equal pressures of the feet / Fig. 51 : Notation of the walking pace with predominance of the lateral pressures
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Image : Fig. 52. Piste of the walking pace, after Vincent and Goiffon / Fig. 53. Piste of the amble, after Vincent and Goiffon
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Image : Fig. 54. Representation of the horse at a walking pace
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Image : Fig. 55. Tracings and notation of the gallop in three-time
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Image : Fig. 56. Gallop in three-time
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Image : Fig. 57. Piste of the short gallop in three-time / Fig. 58. Piste of Eclipse's gallop from Curnieu
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Image : Fig. 59. Horse gallopping in the first time, the hind left foot only on the ground
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Image : Fig. 60. Horse galloping in the second time / Fig. 61. Horse galloping in the third time
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Image : Fig. 62. Notation of the gallop in four time
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Image : Fig. 63. Notation of full gallop ; re-actions of this pace
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Image : Fig. 64. Transition from the walk to the trot / Fig. 65. Transition from the trot to the walk / Fig. 66. Transition from the trot to the gallop / Fig67. Transition from the gallop to the trot
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Image : Fig. 68. Notation rule, to represent the different paces
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Image : Fig. 69. Notation rule forming the representation of the gallop in three-time
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Image : Fig. 70. Showing the frequency of the strokes of the wing a drone-fly
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Image : Fig. 71. Appearance of a wasp, the extremity of each of whose larger wings has been gilded
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Image : Fig. 72. Tracing of the middle region of the course of the wing of a bee, showing the crossing of the two branches of the 8
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Image : Fig. 73. Tracing of the middle zone in the course describes by the wing of a humming-bird moth / Fig. 74. This figure shows, in the tracing made by a wasp, the upper loop, and all the extent of one branch of the 8
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Image : Fig. 75. Tracings of the wing of a wasp ; several of the lower loops are distinctly seen / Fig. 76. Tracing of a Wheatstone's Kaleidophone rod, tuned to the octave
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Image : Fig. 77. Tracing obtained with the wing of a bee, oscillating in a plane which is sensibly tangential to the generatrix of the registering cylinders / Fig. 78. Tracings of a wasp
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Image : Fig. 79. Tracings of a Wheatstone rod tuned to the octave / Fig. 80. Tracings of the movements of the wing of a humming-bird moth rubbing on the cylinder by its lower edge
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Image : Fig. 81. Tracing of the wing of a fatigued macrogloss
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Image : Fig. 82. Determination of the direction of the movements of an insect's wing
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Image : Fig. 84. Artificial representation of the movements of an insect's wing
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Image : Fig. 85. Representation of the changes in the plane of the insect's wing
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Image : Fig. 86. Trajectory of the wing
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Image : Fig. 87. Representing the artificial insect
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Image : Fig. 88. Arrangement of the artificial insect, to obtain the change of plane, or ascending flight
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Image : Fig. 89. Various curves of the wing of a bird at different points in its length
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Image : Fig. 90. Representing a contrivance intended to imitate the hovering of birds
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Image : Fig. 91. We have turned back the right hand corner of the two planes which form the angle
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Image : Fig. 92. The right hand corner of the plane of the angle has been bent downwards
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Image : Fig. 93. Apparatus to investigate the contraction of the thoracic muscles of the bird
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Image : Fig. 94. Experiment to determine by the electrical and myographical methods, at the same time, the frequency of the movements of the wing and the relative durations of its elevation and depression
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Image : Fig. 95. Myographical tracings of the pectoral muscles obtained frm different specles of birds during flight
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Image : Fig. 96. Showing the differences of amplitude and frequency of the strokes of a pigeon's wing